The "The Masterclasses" Story

It was an ordinary day.  I recently found 10 practical tips that were from "The Masterclasses" by National Geographic Traveler, to help me, as well as you, if you so choose to use them, to succeed as a travel photographer.  Read the following and perhaps you might find a few tips that may help with your picture taking from time to time.  I know I will be using some of the suggestions and ideas.  It was another extraordinary day in the life of an ordinary guy.

Don't you just love this fantastic photograph! 

1. "Plan ahead":  "Do your research and get familiar with your own equipment before you travel...Get ahead of the game, pre-visualise and make a plan.  When I go to a place that I'm not familiar with, I can start recycling and adapting those ideas to suit the environment."  Renato Granieri, "The Art of Wildlife Photography in travel."

2. "Maximize your time on a shoot":  "There's never ever enough time on a shoot.  Mostly, though, we only have a day or two, or sometimes just a few hours, to capture animals for a story.  Regardless of the weather conditions, I'll head out and see what surprises me.  Getting out and seeing what's happening around you is the only way to guarantee you're going to get images.  Don't talk yourself out of shooting just because the weather isn't perfect."  Teagen Cunnif, "The Art of Wildlife Photography in Travel."

3. "Use local guides to your advantage": "Choose experienced safari guards - they know where the animals will be and can predict behavior.  When you're choosing a safari operator, pay specific attention to what's written about the Guides on the websites and look for places that have mentioned that their guides are highly awarded or extensively trained.  There's. really big difference between a guide and. guid with photographic knowledge; communicating to a guide who understands composition and lighting is so much easier."  Teagen Cunnife, "The Art of Wildlife Photography in Travel."

4. "Use kit to connect with your subjects":  "I bring a little Fuji Instax camera with me.  And that's for when I'm going into more remote regions so that I can not only ask for a photo, but give one back as well.  For me, I've found that this opens doors to getting people to sit for portraits.  Because, if you're always just showing up and you're this guy with this big camera coming up in front of them, there's a little bit of shyness and reticence.  But, if you can sit with them and open up a little of dialogue, even if you can't exchange in the same language, that's a really great way to get them involved."  Matt Dutile, "Picking the perfect kit for your assignment."

5. "Stay safe as a lone traveler". "I alway dress to blend in.. for example, that I'm wearing to photograph a high-end restaurant and what I'm wearing to go and photograph agave fields is going to be different.  I want to been in so that I feel comfortable and so that the people around me feel comfortable.  There are certain places that you're going to stand out, but try to be aware of what's going on around you."  Lindsay Lauckner Gundlock,  "Picking the perfect kit for your assignment."

6. "Stay inspired". "Ive been doing this for 15 years now, but every week I seem to discover a new photographer that I've never heard of.  As long as someone's out there creating amazing images, I'll always be inspired by that.  Another part is looking at art, or a place itself.  We are storytellers, so I think you can be inspired by the story of a place, a people, an idea, all on its own."  Matt Dutile, "Picking the perfect kit for your assignment."

7.  "Use social media to find contacts."  "Go on social media.  Often, when people get hired, they might thank the person who gave then the job.  So, follow other photographers and look in their captions and actually read who's hiring them, who did they work with, and then follow those commissioners."  Holly-Marie Cato, "How to go professional."

8.  "Present your work to photo editors."  "Something that I've always done is to create a PDF or something that sort of has a layout that looks like the (finished) article so the the photo editor can kind of get n idea of what your story is.  When you do that,, you might realize that you don't have the right photos for a story - and that really teaches you what storytelling is."  Nori Jemil, "How to go professional."

9.  "Know your destination."  I think if you're especially iinterested in photographing some region of the world, it really helps to be there.  Spend time there and get to know the local traditions, the language or local culture.  That can definitely help when presenting a story."  Ulf Svane, "How to go professional."

10. "Shoot with passion."  "I'm really strong on finding your niche and making sure you're passionate about it.  I could say "build a portfolio", but often, and I think especially with Instagram, you could build a portfolio of work that you don't even like.  If you want your work to last, if you want to be able to sell that work and really make people believe in it, then be passionate about what you photograph."  Holly-Marie Cato, "How to go professional."